Canon 5D Mark III Vs. Canon 5D Mark IV: Which Is Better?

The Canon 5D Mark III and Mark IV are both full-frame sensor cameras; however, the former has a 22.3MP sensor while the latter has a 30.4MP sensor. In addition, as a newer model than the Mark III, its resolution has increased significantly.

Canon 5D Mark III Vs. Canon 5D Mark IV, Due to their compact size these cameras are ideal for day-to-day shooting and for pros and photography lovers who want to take their photography skills to the next level.

Putting aside the technical characteristics, both cameras contain several useful and remarkable features that will allow you to take your photography to the next level.

Video: Canon 5D Mark IV vs 5D Mark iii in 2020?

CANON 5D MARK III

Even though this is not the most recent model in the 5D eos r series, it is still one of the better options available. When it was first introduced, this camera had a somewhat high price; nevertheless, its current pricing provides significantly greater value than ever.

As previously stated, this camera is ideal for professional and amateur photographers but not so much for beginners. This camera would be fantastic for novices, but it’s not intended for them because it offers advanced features that entry-level cameras need to improve.

CANON 5D MARK IV

As stated in the initial review, the Canon 5D Mark IV is unquestionably superior to the Canon 5D Mark III in certain respects. However, this is sometimes the case, depending on how the camera is used.

The Canon 5D Mark IV boasts a 30.4MP sensor SONY FE, significantly improving over Mark III’s 22.3MP sensor. In addition, the optical viewfinder has been enlarged to accommodate the Wi-Fi and GPS module, and the grip has been enlarged to make the DSLR camera feel more secure. The button arrangement is nearly the same; however, a new extension on the back allows you to scroll the dial to change a setting while holding down the switch.

This is not a new feature in Canon’s lineup, but this is the first time the touchscreen is sensitive and has tremendous capabilities, making it valuable and well-integrated with how a photographer prefers to work.

CANON 5D MARK III VS. CANON 5D MARK IV: A COMPARATIVE ANALYSIS

Canon’s EOS 5D Mark IV features numerous improvements over its predecessor, the EOS 5D Mark III, making it a formidable opponent for still and video photography. Here, we examine the primary areas in which they differ.

1. NEW SENSOR

Compared to its predecessor, the EOS 5D Mark II, the EOS 5D Mark III’s resolution increase from 21.1MP to 22.3MP was modest, but the new model amps things up.

Its 31.7MP sensor produces photographs with an effective resolution of 30.4MP, and Canon claims this is a brand-new design. Again, its pixels are dispersed across a full-frame surface area, and a low-pass filter is placed in front of it to avoid aliasing artifacts from harming the image quality of 5d iv.

In addition to promising a wide exposure latitude, the business has yet to provide detailed information regarding the sensor’s dynamic range.

2. EXPANDED SENSITIVITY

The new sensor features a slightly greater native ISO range than its predecessor, reaching ISO 32,000 as opposed to ISO 25,600 on the EOS 5D Mark III. However, the base ISO of 100 remains the same. However, the two are identical with the increased settings, with a similar ISO range of 50-102,400.

3. NEW PROCESSOR

The new model eschews the older DIGIC 5+ processor in favor of the more recent DIGIC 6+ engine. This is rumored to offer, among other things, improved noise reduction and works with faster readout speeds from the sensor to enable slightly faster burst shooting (see below) than the EOS 5D Mark III.

4. DUAL-PIXEL RAW FORMAT

Dual Pixel Raw is a function that has never been seen on an EOS camera before. On the surface, this operates on the same concept as the technology utilized by Lytro and specific Panasonic models, allowing the photographer to select a slightly different sharpest point in the image after the image has been recorded.

This technology operates by taking two images from very slightly different perspectives, a procedure made possible by using two photodiodes in each pixel (which is the basis of its previously seen Dual Pixel CMOS AF mode, explained below).

Canon claims that this technology permits two further adjustments. First, out-of-focus highlights can be adjusted horizontally, which Canon believes the photographer for canon log may choose to do to make them work better with in-focus parts. Reduction of ghosting effects, such as flare, is a second possible improvement.

You must use Canon’s Digital Photo Professional application, which is included with the camera, to make these adjustments.

5. DUAL PIXEL CMOS AF

Dual Pixel CMOS AF is a function that enables the user to use phase-detection AF when the mirror is up on a modern EOS DSLR. It has become a nearly standard component of these cameras (i.e., when using live view and movie recording).

This allows for smooth autofocus adjustments by touching the touchscreen at the desired location and for subjects to be successfully tracked as they move across the frame.

This feature was absent from the EOS 5D Mark III, but its recent presence on the EOS 1D X Mark II indicated that it was highly likely to arrive here.

6. REVISED AF SYSTEM

At first glance, the EOS 5D Mark IV’s 61-point AF system (including 41 cross-type points) looks similar to that of the EOS 5D Mark III. Still, a closer inspection reveals several alterations reminiscent of the EOS-1D X Mark II.

The points now cover a larger region than before. In addition, all 61 points continue to function at f/8, which is excellent news for people who use telephoto lenses with Extenders for sports or wildlife photography. In such a case, 21 of these cross-type points remain for increased sensitivity, but this can vary amongst lenses.

The AF system’s detection range has increased from -2EV on the EOS 5D Mark III to -3EV here and to -4EV in live view for Canon USA. In addition, the back plate now features an AF Area Selection button.

7. 4K VIDEO

Unsurprisingly, the EOS 5D Mark IV offers 4K video recording, like many other recent products. This is captured in the same DCI 4K format as the latest EOS-1D X Mark II, with a resolution of 4096 x 2160 pixels and a frame rate selection of 30/25/24fps.

Additionally, the camera CANON EF offers 120fps recording in Full HD, similar to many other 4K versions, with 4:2:2 chroma subsampling in 4K and 4:2:0 subsampling when recording in one of the HD modes. The option is also to export clean footage via the HDMI connector, but only for HD footage with 4:2:2 chroma subsampling.

In comparison, the preceding EOS 5D Mark III was released well before 4K video on such a model was anticipated and only supported Full HD video recording (although, as many people know, it has been well-praised among videographers).

8. STILLS FROM THE VIDEO

The EOS 5D Mark III, like many other 4K cameras, allows you to extract JPEG frames from 4K video. However, these photographs have a resolution of 8.8MP since they were captured in the DCI 4K format, as opposed to the 8-8.3MP resolution of images taken from cameras recording UHD 4K footage.

9. RAPID FIRING

The EOS 5D series is not designed primarily for action photography, but EOS 5D Mark III’s decent AF system and 6fps burst shooting allowed it to hold its own. Now, it’s even faster, with burst shooting at 7fps and autoexposure and autofocus maintained during the burst.

With the proper memory card installed, Canon estimates that you can capture up to 21 RAW shots at this rate, compared to 18 RAW images in the EOS 5D Mark III’s 6fps mode.

The promise of infinite JPEG bursts is also an improvement over the EOS 5D Mark III, although it’s unlikely that anyone had a problem with that camera’s 16,270-frame JPEG burst depth. The camera can also fire at 4.3fps while utilizing live view to track a subject.

10. IMPROVED LCD

Although the LCD is still 3.2 inches, its resolution has increased from 1.04 million dots on the EOS 5D Mark III to 1.62 million dots for more clarity.

LCD color tone is an additional new function that enables four distinct tonal adjustments for the LCD. This capability will be made available to the Canon EOS-1D X Mark II, among several other enhancements, via a subsequent firmware update.

CONCLUSION

The EOS 5D Mark IV is a significantly more significant upgrade from the EOS 5D Mark III than the Mark III was from its predecessor, the Mark II, which makes its price easier to take. Its numerous and varied updates make it much more future-proof than its competitors. At the same time, specific capabilities — particularly video — are already surpassed by cheaper alternatives.

The latest model is more expensive now, so if you don’t require the higher resolution and have no interest in video, the EOS 5D Mark III may serve you just fine. It is certainly likely that Canon will cut its asking price as the product’s shelf life nears its conclusion.

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Originally posted on April 10, 2023 @ 8:19 pm