7 Best Wide Angle Lens for Sony a6000 [2023]
Do you want to take your photography skills to the next level?
If so, you’ll need to invest in a wide-angle lens for your Sony A6000.
Wide-angle lenses are perfect for capturing landscapes and architecture, as well as adding interest to portrait shots.
But with so many different lenses on the market, it can be tricky to know which one is right for you.
That’s where we come in! In this blog post, we’ll recommend our top picks for the best wide-angle lens for Sony A6000 photographers. Keep reading to find out more!
Wide-angle Lenses that are Compatible with the Sony A6000 DSLR
- Sony Carl ZEISS Sonnar 24mm F1.8 Wide-Angle- Best Overall
- Wide-Angle Zoom Lens for the Sony E 10-18mm F4 OSS- 2nd choice
- A fixed-focus 35mm F1.8 wide-angle lens by Sony- 3rd choice
- Employs the legendary "Sonnar" optical design for standout image dimensionality and presence
- Seven aperture blades form a near circle, which results in a pleasing defocused effect on the background of your image when the aperture is set wide open
- Allows for 1/4 macro shooting with accurate focus as close as 6.2 inches (16cm)
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- Compact, lightweight fixed F1.8 lens.Angle of View (APS C) 44 °
- Minimum Focus Distance : 0.99 ft (0.3 m), Maximum Magnification ratio : 0.15x, Focal Length : 1.38 in
- New optical design for excellent peripheral sharpness and contrast, Built in image stabilization
1. Sony Carl ZEISS Sonnar 24mm F1.8 Wide-Angle Prime Lens
A first in the Sonnar T family of E-mount compatible lenses, the Sony Carl Zeiss 24mm is the Sony Carl Zeiss 24mm.
Even at high aperture settings and in low light conditions, the lens is designed to provide clearer and sharper wide-angle images than other lenses on the market.
Features
Because of the clever grouping within the lens body, the presence of grains at high aperture settings is eliminated. The intuitive design aids in the acquisition of sharp focus and the creation of smooth corner to corner viewing angle images.
Internal focusing with multi-points and a focus length of 16cm are standard in the high-end design at all aperture settings. Beautiful and smoothed bokeh effects can be achieved with the 24mm prime lens while photographing people at close range.
The circular aperture works in conjunction with near-circular diaphragm settings to defocus distant objects without sacrificing sharpness or quality. The 7-blade diaphragm is used in conjunction with a 2-stop focus setting to provide natural and bright images.
For chromatic aberrations and spherical distortions, there are two types of glass used in the internal elements: AA and ED glass. When shooting in telephoto mode, the twin ED glass components help to decrease undesired glow effects and aberrations.
Aspherical elements thicken the picture density and smoothen the overall image quality to prevent direct light refractions from entering the lens settings. This helps to improve the overall image quality.
The T-star coating from Carl Zeiss reduces flares and ghosting effects to almost nothing with its thorough reduction. Photographs taken with the all-new T-star lens coating retain their image quality even after they have been enhanced from the center out to the edges.
2. Sony E 35mm f/1.8 OSS (Optical Stabilizer)
I’m a great lover of prime lenses and would recommend them to photographers of any skill level. They’re the easiest way to improve your composition skills, and they make the photo-taking process simpler by eliminating the variable of using multiple focal lengths (as offered by zooms).
Let me be clear: zoom lenses have a place in photography, and they are useful. Every photographer, on the other hand, I feel, should have at least one tiny, quick prime lens. It is this Sony E 35mm f/1.8 OSS lens that is recommended for Sony a6000 owners.
A huge lens on a mirrorless camera as small as the Sony a6000 appears absurd when you have a mirrorless camera as small as the Sony a6000. It will be a pleasure to shoot with this small 35mm lens, and the camera will still fit into a jacket pocket — something DSLR camera owners can only dream of (see my mirrorless vs DSLR buyer’s guide for more information).
This lens will provide a field of view of around 50mm on the cropped sensor (APS-C) Sony a6000, which is appropriate for a wide range of subjects and situations. Since it provides an undistorted vision of the world and can be attractive for portraiture, 50mm is a common focal length. However, it should not be used for landscape photography because it might make the subject appear distant.
I refer to prime lenses that have a large enough aperture (as denoted by the f-number) to allow for faster shutter speeds and lower ISOs in low light situations as “fast prime lenses.”
In other words, the f/1.8 aperture of this Sony 35mm f/1.8 lens will make it much easier to snap images with the Sony a6000 in low light without the need of a flash than it would be with a’slower’ lens such as the kit lens that comes with the camera. (The greater the aperture, the smaller the f-number.) f-number
An aperture of f/1.8 also implies that you’ll be able to achieve the sought blurred background look that distinguishes higher-end cameras from their lower-end counterparts. Of course, your iPhone’s ‘portrait mode’ may be able to perform a similar function, but the process is far slower with the mobile phone and its clever artificial intelligence.
The Sony 35mm f/1.8 lens produces photographs that simply aren’t possible with the basic lens that came with your camera, especially when it comes to low-light conditions. Even at f/1.8, sharpness is superb, and it continues to improve until roughly f/4, at which point the sharpness and overall contrast are exceptional for a lens of this price.
When it comes to the pricing, at roughly $400, you might be hesitant, especially considering that various Sony Alpha a6000 lenses can be found for less money…
You’ll get more out of your a6000 if you invest in a solid lens, and the Sony 35mm f/1.8 is an excellent choice for getting the most out of your camera’s capabilities.
The abbreviation OSS stands for Optical SteadyShot (image stabilization), which is a feature that is uncommon on prime lenses. In conjunction with the lens’s fast f/1.8 aperture, this makes the lens particularly useful for low-light photography, allowing you to keep the ISO of your Sony a6000 as low as possible while still capturing noise-free photographs.
Overall, the Sony 35mm f/1.8 lens is the greatest prime lens for Sony a6000 owners who want small, lightweight equipment with excellent optical performance – it is, in many ways, the ideal travel camera/lens combination for traveling. It comes highly recommended!
3. Sony E 10-18mm F4 OSS Wide-Angle Zoom Lens
Wide-angle photography necessitates the use of a zoom lens with a wide-angle of view while maintaining color contrasts and overall image quality at their maximum. The Sony E 10-18mm is an excellent choice for telephoto pictures, with a small amount of zoom to cover the other fundamental capabilities required for a general-purpose lens as well.
Features
The Sony E 10-18mm wide-angle zoom lens has a maximum viewing angle of 109 degrees, which is extremely wide for a zoom lens. Even at a distance of 0.82ft from the subject, it captures breath-taking photographs that have exceptional blur and smooth defocusing effects.
The Sony E 10-18mm has a range of lens elements encoded in multiple groups, which allows it to capture breathtaking landscapes. The lens hood shields the lens from direct sunlight flares, and an optical coating is inserted in the front groups of the lens to provide glare protection.
Sony is compatible with all of the E-mount 35mm camera bodies on the market. In addition to an F/4 maximum aperture setting, the camera is equipped with a 7-blade circular diaphragm, which produces amazing images in all lighting circumstances. With its 2-stop settings, the lens is compelled by the blades of the aperture to capture perfectly circular images.
Using the built-in bokeh effects, you can transform ordinary photos into appealing and attention-grabbing images with a defocused background and sharp foregrounds.
Various zoom ranges can be used to adjust the focal length of the lens. By altering the zoom scope, you can capture a whole center-focused vale shoot or compress it to a 76-degree photograph with greater contrasts and depth ratio, for example.
Super ED glass elements are used to eliminate chromatic aberrations while maintaining the maximum depth of focus and resolution possible with the lens. It is necessary to use aspherical elements in order to eliminate spherical aberrations and to fine-tune light infringements projected on the lens surface.
When using a handheld camera, optical picture stabilization eliminates blurring. The linear stepping motor swiftly adapts to fast-moving objects and is particularly useful in video production, as it allows for precise focusing and quiet zooming.
4. Fixed-lens Sony 35mm f1.8 wide-angle camera lens
If you are searching for a secondary lens that is both lightweight and extremely compatible, the Sony 35mm F1.8 is your best bet. Using numerous groups, the lens can isolate and process the background, the subject, and the foreground in a split second, as well as perform post-processing in a split second.
Features
Its prime lens has superb wide-angle contrast and ensures in-depth pixel quality throughout its whole wide-aperture range of operation.
When photographing sporting events or weddings, the autofocus makes it simple to get the shot you want because everything is in perfect order before you start. It is always possible to switch to manual focus mode if the autofocus is not working properly.
The focal length is a total of 44 degrees in length. Everything from wide-angle shots to blurred background portraits to night photography and creating videos with a noiseless focus is covered in this book.
In the case of fast-moving objects, handheld photography is prone to shaking and blurring at the last minute of the capture process.
Image stabilization utilizing gyro sensors and a linear stepping motor, such as Optical SteadyShot, is an excellent solution for ensuring completeness in photographs taken with a digital camera.
In a 6-group arrangement, there are eight elements to consider. The Super ED glass elements and the AA elements, which are used to reduce spherical and chromatic aberrations, are included in the integrated lens elements.
The features improve lens alignment and allow for the recreation of photographs with superb pixel sprinkling across the image surface.
5. FE 28-70mm f/3.5-5.6 OSS lens from Sony
The designation ‘FE’ rather than ‘E’ in the name of this zoom lens alludes to the fact that it is intended for use with professional full-frame Sony E-mount cameras rather than consumer cameras. Actually, it is included as a standard kit lens with the Sony a7 digital camera. So, what is it about this lens that makes it one of the top Sony a6000 lenses that I recommend?
If you’re using a cropped sensor body like the Sony a6000, I wouldn’t advocate getting an expensive zoom lens designed for full frame cameras to use on a cropped sensor body. The high-quality Sony FE 28-70mm f/3.5-5.6 OSS, on the other hand, throws the rules out the window completely.
At less than $300, this Sony zoom lens is an incredible value, and it’s a fantastic match for the Sony a6000 camera system. You’ll also have your first fantastic lens waiting in your camera bag if you ever decide to upgrade to a full frame Sony camera.
The Sony FE 28-70mm f/3.5-5.6 OSS zoom’s 40-105mm equivalent focal length makes it particularly effective for photographing subjects who change distance often, such as children, or for sports photography, where the focal length is very important.
When using a full frame lens on a cropped sensor camera, the edges of the lens will not be used, which is a significant advantage. This’missing breadth’ may be an issue with wide angle lenses, but on longer lenses such as this one, it isn’t really a problem.
A plus is that when using the Sony FE 28-70mm f/3.5-5.6 OSS on a Sony a6000, you are really cropping the corners of the picture, which eliminates any edge softness that may otherwise be present on a full frame camera. This is especially useful when photographing people. Does that make sense?
The image quality is excellent, as one would expect from a lens designed for professional-grade full-frame cameras of this caliber. It’s sharp, contrasty, and generates excellent bokeh – which is primarily owing to the focal lengths at which you’ll be shooting rather than the aperture – but it’s also quite portable.
With an aperture of f/3.5-5.6, you won’t be able to photograph much after dark without using a flash unless you have one. But the presence of Sony’s outstanding Optical Steady Shot feature, which compensates for slight hand movements that are particularly common while shooting at longer focal lengths and often result in blurred images, is a welcome addition.
Another wonderful feature of the Sony FE 28-70mm f/3.5-5.6 OSS lens is that it is weather-sealed; however, you will not be able to take advantage of this function with the Sony a6000, which does not have this feature. A weather-sealed lens, on the other hand, indicates that it will be made to last, regardless of which camera body it is attached to.
When it comes to finding a fantastic zoom lens for your Sony a6000 at an affordable price, look no further than this little gem.
6. Rokinon 12mm f/2 NCS Optical Zoom
You’ll want to have a wide-angle lens in your camera bag once you’ve added a tiny fast prime and a telephoto zoom lens to your Sony E-Mount lens collection… or, in this case, a lens with an extremely wide angle of view!
The Rokinon 12mm f/2 NCS has been designed specifically for mirrorless cameras and has a maximum aperture of f/2 (be sure you get the correct one for the Sony a6000 here). In order for a wide angle lens to maintain its wide angle characteristics on a cropped sensor body such as the a6000’s, it must be genuinely WIDE. With its similar 18mm field of view, this entertaining lens may help you produce some incredibly striking and immersive photographs.
It goes without saying that wide angle lenses are used to capture expansive vistas, but they may also be used to convey a more complete tale in a single image by incorporating a foreground element and many background pieces. When shooting at 18mm, you may position a subject in the center of the frame (to minimize distortion) while still having enough ‘space’ around them to reveal their surroundings – it’s a skill, but it’s a terrific method to significantly improve your photography.
Something to keep in mind with the Rokinon 12mm f/2 NCS is that it is a manual focus lens (as opposed to an autofocus lens). Normally, I wouldn’t recommend lenses that require you to twist your body to focus, but with a wide angle lens, the lack of autofocus is excusable because so much of the image will fall into focus without much fine-tuning – any objects from about 2 metres away to infinity will be in focus at the same time – and because the image will fall into focus without much fine-tuning.
With an aperture of f/2, you may use the Rokinon 12mm f/2 NCS in low light conditions as well, without having to increase the ISO of your Sony a6000 camera. Small motions when photographing with wide angle lenses are not as obvious in the final image, which allows you to use slower shutter speeds without having to increase the ISO setting.
Even while Sony offers a number of wide-angle lenses, none of them are as economical or as fast as this Rokinon lens. It is true that the lack of a motor for any AF contributes to the price difference, but the brand name itself also contributes to the cost-savings in this case. It’s a shame, but it’s true.
Regarding image quality, shots taken with the Rokinon 12mm f/2 NCS exceeded my expectations for a lens at this budget. Images are clear and full of color and contrast, and distortion is surprisingly low compared to other cameras. It is only when you zoom in on your photographs that you can see how clear the details are resolved, particularly those in the center of the frame.
Some photographers immediately dismiss this lens when they hear the words manual focus,’ but I strongly advise you to give it a second consideration.
For me, spending nearly twice the price of this lens on an option with autofocus just doesn’t make sense, especially because the focus on wide angle lenses like this is so forgiving. and the quality of the Rokinon 12mm f/2 NCS lens is just stunning, too.
My pick for the finest Sony a6000 wide-angle lens is for those who wish to make photographs that incorporate more of their surroundings and tell more of a narrative with each click.
7. Sony E 20mm f/2.8 zoom lens
The pancake lens is one of my favorite types of lenses, and I hope Nikon would make one (if they did, I’d include it in my roundup of the top Nikon lenses!). Canon already has one (see our review), and Sony will soon have one as well, due to this small jewel of a lens.
With a weight of 69g (0.15 lbs) and a thickness that is slightly thicker than a lens cap, the Sony E 20mm f/2.8 is an excellent match for the Sony a6000, or indeed any Sony mirrorless camera with a cropped sensor.
This isn’t simply for the purpose of mobility; you’ll be considerably less obtrusive and noticeable when employing this combo, resulting in more candid photos and a subject who is more relaxed.
As a result, it’s no surprise that the Sony E 20mm f/2.8 is such a popular lens for traveling and street photography, when remaining inconspicuous is essential to capturing a truly candid portrait of the subject.
On the street, the 30mm equivalent field of view is also ideal for shooting in a run-and-gun style due to the wide aperture. When shooting wide open at f/2.8, there is some distortion and the photographs could be a little sharper, however slowing down your aperture to roughly f/5.6 results in better performance.
The image quality of the Sony E 20mm f/2.8 isn’t particularly impressive, as is the case with many other pancake lenses. It’s a lens that’s particularly popular among photographers who want to make their compact mirrorless cameras as little as possible. Since I am aware that any flaws with sharpness or contrast can be mainly corrected after the fact with a single click in Lightroom, I am included in this group of people.
Having a little lens on the end of my Sony a6000 makes using it a much more pleasurable experience than it would be with a larger, more competent lens.
The focal length of 35mm on a full frame camera is my ideal focal length because it is so adaptable. It took a little getting accustomed to using the Sony E 20mm f/2.8 lens (the ‘extra’ 5mm is more obvious than I anticipated), but it’s still an excellent lens for practically anything I need to photograph on a typical day in the field. Obviously, a lens like the Sigma 60mm f/2.8 DN, which was previously described, would be preferable for purely flattering portraits.
If you’re willing to spend a little extra, consider the Sony 20mm f/1.8, which is a full frame lens that works just as well on the crop sensor a6000 and can provide better subject separation than the f/2.8 variety.
There’s no need to search any farther than this if you’re looking for a decent value lens that will allow your Sony a6000 to perform just as it was designed. Of course, there are some Sony lenses that are better in terms of optical performance, but none of them can be confused for a camera lens cap.
Our Final Thoughts
As a result, in this roundup of what I believe to be the top Sony a6000 lenses, I’ve concentrated on those that I believe are priced appropriately in relation to the a6000.
It seems counter-intuitive to me to spend two or three times the amount of money on a lens after purchasing a camera for less than $500.
It was also important to me to choose lenses that would not appear and feel absurd on the little Sony a6000 body. Despite the fact that this was difficult to do at times (especially with zoom lenses),
With the E-mount lens line-up, Sony designed lenses exclusively for its mirrorless cameras, and as a result, the lenses all perform exceptionally well on cameras such as the Sony a6000. If you check at the reviews for any of the Sony E-mount lenses, you’ll find that the majority of them have received 4 or 5 stars from thousands of satisfied customers.
Choosing just 5 lenses that I believe are the best Sony a6000 lenses from such an incredible assortment was difficult, but I believe that the lenses assessed in this line up will provide you with the greatest results with your beloved small camera.
Please share your ideas with me in the comments section below – do you agree with my choice?
Frequently Ask Questions
What is the greatest lens to use for a wide-angle shot?
The Canon EF-S 10-22mm f/3.5-4.5 USM Zoom Lens has a focal length range of 10-22mm (Purchase this item)
STM Lens for the Canon EF-S 10-18mm f/4.5-5.6 IS STM (Equivalent) (Purchase this item)
Canon EF-S 17-55mm f/2.8 IS USM Ultra Wide Angle Zoom Lens (Canon EF-S 17-55mm f/2.8 IS USM Lens) (Purchase this item)
Canon RF14-35mm F4 L IS USM Lens (Canon RF14-35mm F4 L IS USM Lens) (Purchase this item)
Do professional photographers make use of the Sony A6000 camera system?
Is the Sony a6000 a high-end professional camera or a consumer model? Among the many pro-level features is the 24.3MP APS-C size Exmor HD CMOS sensor with a BIONZ X image processor and an array of pro-level capabilities like as a built-in flash. It is used by many professional photographers in their daily work.
Is the Sony A6000 a decent choice for landscape photography?
Yes, but there are better alternatives available on the market. Using the same scenario, a used D7000 will cost you less than that but will bring you more money. You’ll need a good lens as well as a camera with an 8-stop higher dynamic range (better for landscapes).
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